Susan Sontag would have been something of a dream subject for our study. Luckily, her diaries record her fascinating and intimate reflections upon the origins of literary creativity and the writing life. Here we explore just a few of her insights.
Susan Sontag was one of the leading intellectuals of the twentieth century, but is perhaps better known for her celebrated essays than for her fiction writing, which includes the novels The Benefactor (1963), Death Kit (1967), the best-selling The Volcano Lover (1992) and In America (2000).
Her diaries, however, reveal that Sontag’s abiding literary ambitions eclipsed her myriad achievements in criticism. ‘[B]eing a novelist’ was her ambition ‘even when she was writing her best essays’ notes her son, David Rieff, in his preface to the second volume, published by Penguin under the name As Consciousness is Harnessed to Flesh (2012).
In Sontag’s “The Art of Fiction” interview with The Paris Review
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