Below my window in Ross, when I’m working in Ross, for example, there at this season, the blossom is out in full now, there in the west early. It’s a plum tree, it looks like apple blossom but it’s white, and looking at it, instead of saying “Oh that’s nice blossom” … last week looking at it through the window when I’m writing, I see it is the whitest, frothiest, blossomest blossom that there ever could be, and I can see it. Things are both more trivial than they ever were, and more important than they ever were, and the difference between the trivial and the important doesn’t seem to matter. But the nowness of everything is absolutely wondrous, and if people could see that, you know. There’s no way of telling you; you have to experience it, but the glory of it, if you like, the comfort of it, the reassurance … not that I’m interested in reassuring people – bugger that. The fact is, if you see the present tense, boy do you see it! And boy can you celebrate it.

With H. to see George Shaw show n’ tell at the Baltic on Saturday. What to do when a Turner Prize nominee shares your fugitive visions?  Les Dawson, Lady Godiva, Kenneth Williams, Rita Tushingham: Me too, George, me too! Must Matthew Collings act as one’s go-between when attempting to invite a Turner Prize nominee on a fact-finding mission to the disused Humbrol Factory on Marfleet Lane? I expect we’ll commune privately. Anyway, for now, he reminded me of this, about which, fucking hell, I cannot say a single thing.